Wartime Letters of Rainer Maria Rilke, 1914-1921
Author | : Rainer Maria Rilke |
Publisher | : |
Total Pages | : 288 |
Release | : 1940 |
Genre | : Authors, Austrian |
ISBN | : |
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Author | : Rainer Maria Rilke |
Publisher | : |
Total Pages | : 288 |
Release | : 1940 |
Genre | : Authors, Austrian |
ISBN | : |
Author | : Rainer Maria Rilke |
Publisher | : |
Total Pages | : 279 |
Release | : 1968 |
Genre | : Authors, German |
ISBN | : |
Author | : Rainer Maria Rilke |
Publisher | : W. W. Norton & Company |
Total Pages | : 291 |
Release | : 1964-05-17 |
Genre | : Biography & Autobiography |
ISBN | : 0393001601 |
The letters Rilke wrote during the war and postwar years are of particular interest not only for whatever they may contain of the wisdom of the poet, the artist, and the humanitarian, but for their analysis of the intellectual and spiritual currents of the time. These letters give the account of Rilke's own state of mind and of his final approach to the threshold of his great works. They show the rapid change he underwent after his reaction to the first excitement of the war; how his dismay at the cruelty and confusion of war helped to render the poet in him speechless for many years; how he nevertheless characteristically held to his own fundamental views throughout war and revolution and in spite of everything retained his belief in the capacity of humanity to create for itself a better future.
Author | : Rainer Maria Rilke |
Publisher | : W. W. Norton & Company |
Total Pages | : 478 |
Release | : 1969-02-17 |
Genre | : Biography & Autobiography |
ISBN | : 0393004775 |
This volume of Rilke's letters covers the years from the completion of The Notebooks of Malte Laurids Brigge to Rilke's death in December 1926, nearly five years after he had written the Duino Elegies and the Sonnets to Orpheus, his last major works. There are important letters here to Muzot, Lou Andreas-Salome, to Princess Marie of Thurn and Taxis Hohenlohe, and many others. The most significant of the Wartime Letters: 1914-1921 are also included. An Introduction briefly traces the development of Rilke's work during these years; the Notes provide the necessary framework of biographical details and point up significant references to the poetry.
Author | : Glenn Watkins |
Publisher | : Univ of California Press |
Total Pages | : 614 |
Release | : 2003 |
Genre | : Art |
ISBN | : 0520231589 |
An entertaining cultural history of music during World War I, covering all the major European nations as well as the United States, in both classical and popular genres. The book is lavishly illustrated and includes a CD.
Author | : University of Illinois at Urbana-Champaign. Library |
Publisher | : Macmillan Reference USA |
Total Pages | : 540 |
Release | : 1988 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Wystan Hugh Auden |
Publisher | : Princeton University Press |
Total Pages | : 598 |
Release | : 1996 |
Genre | : American drama |
ISBN | : 9780691089355 |
Volume 5. This fifth volume of W. H. Auden's prose displays a great writer's mind in its full maturity of wisdom, learning, and emotional and moral intelligence. It contains his most personally revealing essays, the ones in which he wrote for the first time about the full history of his family life, his sexuality, and the development of his moral and religious beliefs. Among these works are the lightly disguised autobiographies that appear in long essays on the Protestant mystics and on Shakespeare's sonnets. The book also features the full text of his T. S. Eliot Memorial Lectures, Secondary Worlds, and many unpublished or unavailable lectures and speeches. Edward Mendelson's introduction and comprehensive notes provide biographical and historical explanations of obscure references. The text includes corrections and revisions that Auden marked in personal copies of his work and that are published here for the first time.
Author | : Katherine Anne Porter |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 432 |
Release | : 2012-08-11 |
Genre | : Biography & Autobiography |
ISBN | : 161703620X |
Katherine Anne Porter (1890-1980) produced a relatively small body of fiction, but she wrote thousands and thousands of letters. The present selection of 135 unexpurgated letters, written to seventy-four different persons, begins with a 1916 letter written from a tuberculosis sanatorium in Texas and ends with a 1979 letter dictated to an unnamed nursing-home attendant in Maryland. Different from any previous selection, this body of letters does not omit Porter's frank criticism of fellow writers and spans her entire life. Within that circumscription is the chronicle of Porter, a twentieth-century woman searching for love while she struggles to become the writer she is sure she can be. Porter's letters vividly showcase the twentieth century as the writer observes it from her historical vantage points--tuberculosis sanatoria and the influenza pandemic of 1918; the leftist community in Greenwich Village in the 1920s; the Mexican cultural revolution of the 1920s and early 1930s; the expatriate community in Paris in the 1930s; the rise of Nazism in Europe between the World Wars; the Second World War and its concomitant suppression of civil liberties; Hollywood and the university circuit as a haven for financially strapped writers in the 1940s and 1950s; the Cold War and its competition for supremacy in space; the Women's Rights and the Civil Rights movements; and the evolution and demise of literary modernism.
Author | : Harold Schweizer |
Publisher | : Taylor & Francis |
Total Pages | : 168 |
Release | : 2022-11-24 |
Genre | : Poetry |
ISBN | : 1000843890 |
This is a book of meditative reading. Each of the sixty-one aphoristic entries aims to interpret Rilke’s poetry as a musician might play Debussy’s Clair de lune, to transpose into the key of language the song, the melody, and the refrain of Rilke’s gentle disposition: his recognition of the transience of things; his acknowledgment of the vulnerability and fragility of people, animals, and flowers; his empathy toward those who suffer. The cut flowers gently laid out on the garden table "recovering from their death already begun" in one of theSonnets to Orpheus form a thread now visible now faint through most of this book. And because of the flowers, the concept of gentleness forms another thread, and because of gentleness, hands—agents of gentleness throughout Rilke’s poetry—enfold these pages. The German word leise (gentle, tender, quiet) weaves the first thread; the second is woven by flowers, then by girls’ hands, then by angels, the beloved, the poor, the dying and the dead, animals, birds, dogs, fountains, things, vanishings. The purpose of this essay is to experience and to examine gentleness, how it shapes and pervades Rilke’s work, how his poetry might gently inspire us to become more gentle people.