The Jews-Harp in Britain and Ireland

The Jews-Harp in Britain and Ireland
Author: Mr Michael Wright
Publisher: Ashgate Publishing, Ltd.
Total Pages: 241
Release: 2015-12-28
Genre: Music
ISBN: 1472414136

Drawing upon previously unknown written sources and piecing together thousands of fragments of information spanning hundreds of years, Michael Wright tells the story of the jews-harp’s long history in the Britain and Ireland. Beginning with a chapter describing the instrument, he then looks at the various theories of its ancient origin, how it came to be in Europe, terminology, and its English name. He goes on to explore its commercial exploitation and the importance of the export market in the development of manufacturing and looks at the instrument’s appearance and use in art, literature and the media. Finally he considers the many players who have used the instrument throughout its long history.


The Jews-Harp in Britain and Ireland

The Jews-Harp in Britain and Ireland
Author: Michael Wright
Publisher: Routledge
Total Pages: 240
Release: 2017-07-05
Genre: Music
ISBN: 1351543318

The jews-harp is a distinctive musical instrument of international importance, yet it remains one of those musical instruments, like the ocarina, kazoo or even the art of whistling, that travels beneath the established musical radar. The story of the jews-harp is also part of our musical culture, though it has attracted relatively little academic study. Britain and Ireland played a significant role in the instrument‘s manufacture and world distribution, particularly during the nineteenth and first half of the twentieth centuries. Drawing upon previously unknown written sources and piecing together thousands of fragments of information spanning hundreds of years, Michael Wright tells the story of the jews-harp‘s long history in the Britain and Ireland. Beginning with an introductory chapter describing the instrument, Part One looks at the various theories of its ancient origin, how it came to be in Europe, terminology, and its English name. Part Two explores its commercial exploitation and the importance of the export market in the development of manufacturing. Part Three looks the instrument‘s appearance and use in art, literature and the media, finally considering the many players who have used the instrument throughout its long history.


The Jews-Harp in Britain and Ireland

The Jews-Harp in Britain and Ireland
Author: Michael Wright
Publisher:
Total Pages:
Release: 2017
Genre: Electronic books
ISBN: 9781315086170

"The jews-harp is a distinctive musical instrument of international importance, yet it remains one of those musical instruments, like the ocarina, kazoo or even the art of whistling, that travels beneath the established musical radar. The story of the jews-harp is also part of our musical culture, though it has attracted relatively little academic study. Britain and Ireland played a significant role in the instrument?s manufacture and world distribution, particularly during the nineteenth and first half of the twentieth centuries. Drawing upon previously unknown written sources and piecing together thousands of fragments of information spanning hundreds of years, Michael Wright tells the story of the jews-harp?s long history in the Britain and Ireland. Beginning with an introductory chapter describing the instrument, Part One looks at the various theories of its ancient origin, how it came to be in Europe, terminology, and its English name. Part Two explores its commercial exploitation and the importance of the export market in the development of manufacturing. Part Three looks the instrument?s appearance and use in art, literature and the media, finally considering the many players who have used the instrument throughout its long history."--Provided by publisher.


Global Popular Music

Global Popular Music
Author: Clarence Bernard Henry
Publisher: Taylor & Francis
Total Pages: 985
Release: 2024-11-19
Genre: Music
ISBN: 1040151922

Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencing and robust indexes of genres, places, names, and subjects make the guide easy to use. Volume 2, Transnational Discourses of Global Popular Music Studies, covers the geographical areas of North America: United States and Canada; Central America, Caribbean, and South America/Latin America; Europe; Africa and Middle East; Asia; and areas of Oceania: Aotearoa/New Zealand, Australia, and Pacific Islands. It provides over twenty-four hundred annotated bibliographic entries covering discourses of extensive research that extend beyond the borders of the United States and includes annotated entries to books, book series, book chapters, edited volumes, special documentaries and programming, scholarly journal essays, and other resources that focus on the creative and artistic flows of global popular music.


Music, Lapita, and the Problem of Polynesian Origins

Music, Lapita, and the Problem of Polynesian Origins
Author: Mervyn McLean
Publisher: Mervyn McLean
Total Pages: 231
Release: 2014-01-01
Genre: Music
ISBN: 0473288737

For more than twenty years the standard view among anthropologists has been that Polynesians evolved from a group of settlers known as Lapita people whose characteristically dentate-stamped pottery has been found on numerous mostly Melanesian sites, and who entered Fiji more than 3000 years ago from a starting point in the Bismarck Archipelago. An alternative view that champions Micronesia as a primary area of origin for Polynesians has been in limbo as a result of the prevailing theory, but is reappraised in the present book and found once again to be in contention. The book takes an historical view of theories of origin, and provides some account of methodologies used by scholarly disciplines which have been brought to bear on the subject, including evidence from music and dance, which forms the core of the book.


Song Walking

Song Walking
Author: Angela Impey
Publisher: University of Chicago Press
Total Pages: 295
Release: 2018-11-28
Genre: Music
ISBN: 022653801X

Song Walking explores the politics of land, its position in memories, and its foundation in changing land-use practices in western Maputaland, a borderland region situated at the juncture of South Africa, Mozambique, and Swaziland. Angela Impey investigates contrasting accounts of this little-known geopolitical triangle, offsetting textual histories with the memories of a group of elderly women whose songs and everyday practices narrativize a century of borderland dynamics. Drawing evidence from women’s walking songs (amaculo manihamba)—once performed while traversing vast distances to the accompaniment of the European mouth-harp (isitweletwele)—she uncovers the manifold impacts of internationally-driven transboundary environmental conservation on land, livelihoods, and local senses of place. This book links ethnomusicological research to larger themes of international development, environmental conservation, gender, and local economic access to resources. By demonstrating that development processes are essentially cultural processes and revealing how music fits within this frame, Song Walking testifies to the affective, spatial, and economic dimensions of place, while contributing to a more inclusive and culturally apposite alignment between land and environmental policies and local needs and practices.


Shaping Sound and Society

Shaping Sound and Society
Author: Stephen Cottrell
Publisher: Taylor & Francis
Total Pages: 306
Release: 2023-09-13
Genre: Music
ISBN: 1000928969

This volume brings together leading voices from the new wave of research on musical instruments to consider how we can connect the material aspects of instruments with their social function, approaches that have been otherwise too frequently separated in musical scholarship. Shaping Sound and Society: The Cultural Study of Musical Instruments locates the instruments at the centre of cultural interactions. With contributions from ten scholars spanning a variety of methodologies and a wide range of both contemporary and historic music cultures, the volume is divided into three sections. Contributors discuss the relationships between makers, performers, and their local communities; the different meanings that instruments accrue as they travel over time and place; and the manner in which instruments throw new light on historic music cultures. Alongside the scholarly chapters, the volume also includes a selection of shorter interludes based on interviews with makers of comparatively new instruments, offering further insights into the process of musical instrument innovation. An essential read for students and academics in the fields of music and ethnomusicology, this volume will also interest anyone looking to understand how the cultural interaction of musical instruments is deeply informed and influenced by social, technological, and cultural change.