PDF eBook Read Online Library
| Author | : John Clark |
| Publisher | : University of Hawaii Press |
| Total Pages | : 360 |
| Release | : 1993 |
| Genre | : Art |
| ISBN | : |
This book deals collectively with the history of modern art in Asia, with an introduction on cross-disciplinary issues, and essays on China, Indonesia, Taiwan, Thailand, Japan and the Philippines.
| Author | : David Stuart Elliott |
| Publisher | : Artasiapacific |
| Total Pages | : 368 |
| Release | : 2021-09-20 |
| Genre | : |
| ISBN | : 9780989688536 |
An illustrated collection of essays on modern and contemporary Asian art by a key figure of the international contemporary art world. An illustrated collection of more than thirty essays and 350 color images, Art and Trousers moves deftly between regional analysis, portraits of individual artists, and a metaphorical history of trousers. This book presents a panoramic view of modern and contemporary Asian art, varying its focus on the impacts of invention, tradition, exchange, colonization, politics, social development, and gender. David Stuart Elliott spotlights the practice of many leading global artists of the early twenty-first century, including Hiroshi Sugimoto, Cai Guo-Qiang, Ai Weiwei, Xu Bing, Rashid Rana, Bharti Kher, Makoto Aida, Chatchai Puipia, and Yeesookyung, among many others. Art and Trousers offers insight into the development of a key curatorial practice for our times, and it will be an essential resource for anyone seeking to understand contemporary art and the way it operates across borders.
| Author | : John Clark |
| Publisher | : University of Hawaii Press |
| Total Pages | : 352 |
| Release | : 1998-01-01 |
| Genre | : Art |
| ISBN | : 9780824821425 |
A seminal publication focusing on the modern art of Japan, China, India, Thailand, and Indonesia. A significant and challenging contribution to the discussion of the advent of modernism in Asia.
| Author | : Iftikhar Dadi |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 356 |
| Release | : 2010-05-15 |
| Genre | : Art |
| ISBN | : 0807895962 |
This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.
| Author | : Eriko Tomizawa-Kay |
| Publisher | : Routledge |
| Total Pages | : 333 |
| Release | : 2019-03-29 |
| Genre | : Art |
| ISBN | : 1351061887 |
This is the first comprehensive English-language study of East Asian art history in a transnational context, and challenges the existing geographic, temporal, and generic paradigms that currently frame the art history of East Asia. This pioneering study proposes an important new framework that focuses on the relationship between China, Japan, and Korea. By reconsidering existing concepts of ‘East Asia’, and examining the porousness of boundaries in East Asian art history, the study proposes a new model for understanding trans-local artistic production – in particular the mechanics of interactions – at the turn of the 20th century.
| Author | : Julia F. Andrews |
| Publisher | : Univ of California Press |
| Total Pages | : 383 |
| Release | : 2012-09-24 |
| Genre | : Art |
| ISBN | : 0520238141 |
“The Art of Modern China is a long-awaited, much-needed survey. The authors’ combined experience in this field is exceptional. In addition to presenting key arguments for students and arts professionals, Andrews and Shen enliven modern Chinese art for all readers. The Art of Modern China gives just treatment to an expanded field of overlooked artworks that confront the challenges of modernization.”—De-nin Deanna Lee, author of The Night Banquet: A Chinese Scroll through Time.
| Author | : Caroline Turner |
| Publisher | : ANU Press |
| Total Pages | : 278 |
| Release | : 2014-10-03 |
| Genre | : Art |
| ISBN | : 1925022005 |
“… a diverse and stimulating group of essays that together represents a significant contribution to thinking about the nascent field of contemporary Asian art studies … Contemporary Asian Art and Exhibitions: Connectivities and World-making … brings together essays by significant academics, curators and artist working in Australia, Asia and the United Kingdom that reflect on contemporary art in the Asia-Pacific region, and Australia’s cultural interconnections with Asia. It will be a welcome addition to the body of literature related to these emergent areas of art historical study. ” — Dr Claire Roberts, Senior Lecturer in Art History, University of Adelaide This volume draws together essays by leading art experts observing the dramatic developments in Asian art and exhibitions in the last two decades. The authors explore new regional and global connections and new ways of understanding contemporary Asian art in the twenty-first century. The essays coalesce around four key themes: world-making; intra-Asian regional connections; art’s affective capacity in cross-cultural engagement; and Australia’s cultural connections with Asia. In exploring these themes, the essays adopt a diversity of approaches and encompass art history, art theory, visual culture and museum studies, as well as curatorial and artistic practice. With introductory and concluding essays by editors Michelle Antoinette and Caroline Turner this volume features contributions from key writers on the region and on contemporary art: Patrick D Flores, John Clark, Chaitanya Sambrani, Pat Hoffie, Charles Merewether, Marsha Meskimmon, Francis Maravillas, Oscar Ho, Alison Carroll and Jacqueline Lo. Richly illustrated with artworks by leading contemporary Asian artists, Contemporary Asian Art and Exhibitions: Connectivities and World-making will be essential reading for those interested in recent developments in contemporary Asian art, including students and scholars of art history, Asian studies, museum studies, visual and cultural studies.
| Author | : John Clark |
| Publisher | : |
| Total Pages | : 350 |
| Release | : 2020-01-15 |
| Genre | : |
| ISBN | : 9789811407208 |
John Clark's magisterial The Asian Modern reconstructs the notion of art and its historiography. Writing the history of the Asian modern through the social life of artists, he generates a new paradigm for the narration of art. Both volumes meticulously chart his analysis of art in Asia from the 1850s to the present day, and are an invaluable resource for the scholar and layman alike.
| Author | : Sumei Wang |
| Publisher | : BRILL |
| Total Pages | : 228 |
| Release | : 2021-09-06 |
| Genre | : Social Science |
| ISBN | : 900447062X |
The East Asian Modern Girl reports the long-neglected experiences of modern women in East Asia during the interwar period. The edited volume includes original studies on the modern girl in Taiwan, Korea, Manchuria, Japan, Shanghai, and Hong Kong, which reveal differentiated forms of colonial modernity, influences of global media and the struggles of women at the time. The advent of the East Asian modern girl is particularly meaningful for it signifies a separation from traditional Confucian influences and progression toward global media and capitalism, which involves high political and economic tension between the East and West. This book presents geo-historical investigations on the multi-force triggered phenomenon and how it eventually contributed to greater post-war transformations.
