Irish Film

Irish Film
Author: Martin McLoone
Publisher: Bloomsbury Publishing
Total Pages: 384
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1838716424

This is an exploration of the representation of Ireland and the Irish in British and US cinemas, as well as Irish-made films. The book offers readings of a wide range of key films such as The Butcher Boy (1997), Patriot Games (1992) and Angela's Ashes (1999). It discusses the full range of Irish cinematic productions from the low-budget work of Comerford and Breathnach, to the bigger Hollywood productions like Ron Howard's Far and Away (1992), and looks at the 'second' cinema of directors such as Neil Jordan and Jim Sheridan where medium-sized budgets allow for greater creative control in Ireland. Feeding into wider debates about national and cultural identity, post-national cinema and the role of the state, the book provides an overview of how a relatively small film culture such as Ireland's can live successfully in the shadow of Hollywood.


Irish Film Censorship

Irish Film Censorship
Author: Kevin Rockett
Publisher: Four Courts Press
Total Pages: 552
Release: 2004
Genre: History
ISBN:

This book maps the history of Irish film censorship from its origins in the 1910s, through to the all-encompassing Censorship of Films Act 1923, the more liberal implementation of screening policies from the late 1960s onwards, and present-day concerns about media proliferation and distribution. Its main focus is on the 1920-70 period, when Irish film censors banned 3,000 films and cut an additional 10,000. The role of political censorship and its effect on television and cinema is examined, as are the more contemporary issues of video classification and debates around the internet and child pornography. Through the examination of over 18,000 of the censors decisions, Kevin Rockett provides an invaluable insight into the cultural geography of Ireland. - Choice Outstanding Academic Title 2005


Emmet Dalton

Emmet Dalton
Author: Sean Boyne
Publisher: Merrion Press
Total Pages: 507
Release: 2014-11-01
Genre: History
ISBN: 1908928697

This is the first-ever biography of Emmet Dalton, an American-born Dubliner, Home Ruler and later Republican, whose extraordinary military career as a British officer, IRA leader and General in the Free State army brought him from Flanders to Beal na Bláth. A decorated hero of the Battle of the Somme, he returned from the war with the rank of Captain and transferred his military expertise to the now rampant IRA, serving as Director of Training, and greatly impressing Michael Collins with his extraordinary daring and nerve. Soon befriending Collins and becoming his close confidante, he accompanied him to the Treaty talks in London in 1921, and in the Civil War that followed Dalton oversaw the bombardment of the Four Courts, personally manning an 18-pounder artillery gun. He then masterminded and led the audacious seaborne landings and successful recapture of Cork City and Munster Republic from Anti-Treaty forces, but was ultimately traumatised when Collins died in his arms at Beal na Bláith. In his expansive biography, Sean Boyne vividly portrays Dalton's experiences and the vital role he played in the politics and wars that created the independent Irish state. Dalton was the first Senate Clerk and he became a pioneer of the Irish film world, founding Ardmore film studios and establishing the Irish Film industry. An attractive and high-achieving figure in Irish life in war and peace, Dalton's heroism allowed him to live his many lives to the full, and this compelling biography does justice to a figure who will captivate all those interested in modern Irish history and the birth of the state.


Irish cinema in the twenty-first century

Irish cinema in the twenty-first century
Author: Ruth Barton
Publisher: Manchester University Press
Total Pages: 286
Release: 2019-03-25
Genre: Performing Arts
ISBN: 1526124459

An accessible, comprehensive overview of contemporary Irish cinema, this book is intended for use as a third-level textbook and is designed to appeal to academics in the areas of film studies and Irish studies. Responding to changes in the Irish production environment, it includes chapters on new Irish genres such as creative documentary, animation and horror. It discusses shifting representations of the countryside and the city, always with a strong concern for gender representations, and looks at how Irish historical events, from the Civil War to the Troubles, and the treatment of the traumatic narrative of clerical sexual abuse have been portrayed in recent films. It covers works by established auteurs such as Neil Jordan and Jim Sheridan, as well as new arrivals, including the Academy Award-winning Lenny Abrahamson.


The Last Bohemian

The Last Bohemian
Author: Lance Pettitt
Publisher: Syracuse University Press
Total Pages: 360
Release: 2023-06-12
Genre: Performing Arts
ISBN: 0815655304

The Last Bohemian offers the first extended, critical evaluation of all of Brian Desmond Hurst’s films, reappraising the reputation of a director who was born in 1895 in Belfast and died in Belgravia, London, in 1986. Pettitt skillfully weaves together film analyses, biography, and cultural history with the aim of bringing greater attention to Hurst’s qualities as a director and exploring his significance within Irish film and British cinema history between the 1930s and the 1960s. The director of Dangerous Moonlight (1941), Theirs Is the Glory (1946), and his best-known Scrooge (1951) made most of his films for British studios but developed an exile’s attachment to Ireland. How in the early twenty-first century has Hurst’s career been reclaimed and recognized, and by whom? Why in 2012 was Hurst’s name given to one of the new Titanic Studios in Belfast? What were his qualities as a filmmaker? To whose national cinema history, if any, does Hurst belong? Richly illustrated with film stills and other visual material from public archives, The Last Bohemian addresses these questions and in doing so makes a significant contribution to British and Irish cinema studies.


Historical Dictionary of Irish Cinema

Historical Dictionary of Irish Cinema
Author: Roderick Flynn
Publisher: Scarecrow Press
Total Pages: 435
Release: 2007-07-30
Genre: History
ISBN: 0810864355

In 1898, documentary footage of a yacht race was shot by Robert A. Mitchell, making him the first Irishman to shoot a film within Ireland. Despite early exposure to the filmmaking process, Ireland did not develop a regular film industry until the late 1910s when James Mark Sullivan established the Film Company of Ireland. Since that time, Ireland has played host to many famous films about the country_Man of Aran, The Quiet Man, The Crying Game, My Left Foot, and Bloody Sunday_as well as others not about the country_Braveheart and Saving Private Ryan. It has also produced great directors such as Neil Jordan and Jim Sheridan, as well as throngs of exceptional actors and actresses: Colin Farrel, Colm Meaney, Cillian Murphy, Liam Neeson, Maureen O'Hara, and Peter O'Toole. The Historical Dictionary of Irish Cinema provides essential facts on the history of Irish cinema through a list of acronyms and abbreviation; a chronology; an introduction; a bibliography; and hundreds of cross-referenced dictionary entries on the pioneers and current leaders in the industry, the actors, directors, distributors, exhibitors, schools, arts centers, the government bodies and some of the legislation they passed, and the films.


The Myth of an Irish Cinema

The Myth of an Irish Cinema
Author: Michael Patrick Gillespie
Publisher: Syracuse University Press
Total Pages: 304
Release: 2009-01-19
Genre: Performing Arts
ISBN: 9780815631934

For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer present Irishness as a monolithic entity. The book is arranged thematically, with chapters exploring cinematic representation of the middle class, urban life, rural life, religion, and politics. Offering close readings of Irish-themed films, Gillespie identifies a variety of interpretative approaches based on the diverse elements that define national character. Covering a wide range of films, from John Ford’s The Quiet Man and Kirk Jones’s Waking Ned Devine to Bob Quinn’s controversial Budawanny and The Bishop’s Story, The Myth of an Irish Cinema signals a paradigm shift in the field of film studies and promises to reinvigorate dialogue on the subject of national cinema.


Irish National Cinema

Irish National Cinema
Author: Ruth Barton
Publisher: Routledge
Total Pages: 232
Release: 2004-07-31
Genre: Performing Arts
ISBN: 1134468199

From the international successes of Neil Jordan and Jim Sheridan, to the smaller productions of the new generation of Irish filmmakers, this book explores questions of nationalism, gender identities, the representation of the Troubles and of Irish history as well as cinema's response to the so-called Celtic Tiger and its aftermath. Irish National Cinema argues that in order to understand the unique position of filmmaking in Ireland and the inheritance on which contemporary filmmakers draw, definitions of the Irish culture and identity must take into account the so-called Irish diaspora and engage with its cinema. An invaluable resource for students of world cinema.


Irish Stereotype in American Cinema

Irish Stereotype in American Cinema
Author: Piotr Szczypa
Publisher: BRILL
Total Pages: 285
Release: 2021-08-04
Genre: Performing Arts
ISBN: 9004467971

From Levi and Cohen, Irish Comedians (1903) to The Irishman (2019), this book is a fascinating journey through the history of representations of the Irish in American cinema.