Truth and Convention in the Middle Ages

Truth and Convention in the Middle Ages
Author: Ruth Morse
Publisher: Cambridge University Press
Total Pages: 336
Release: 1991
Genre: Language Arts & Disciplines
ISBN: 0521302110

Medieval assumptions about the nature of the representation involved in literary and historical narratives were widely different from our own. Writers and readers worked with a complex understanding of the relations between truth and convention, in which accounts of presumed fact could be expanded, embellished, or translated in a variety of accepted ways.


The Chanson d'Antioche

The Chanson d'Antioche
Author: Dr Carol Sweetenham
Publisher: Ashgate Publishing, Ltd.
Total Pages: 441
Release: 2013-07-28
Genre: History
ISBN: 1409482758

The Old-French Chanson d'Antioche has long intrigued historians and literary scholars. Unusually among epic poems, it follows closely a well documented historical event – the First Crusade – and appears to include substantial and genuine historical content. At one time it was believed to be based on an account by an eye-witness, 'Richard the Pilgrim'. Carol Sweetenham and Susan Edgington have combined forces to investigate such claims, and their findings are set out in a comprehensive introduction which, firstly, examines the textual history of the poem from its possible oral beginnings through several re-workings to its present form, achieved early in the thirteenth century. A second chapter assesses the Chanson's value as a source for the crusade, and a third considers its status as a literary text. A complete prose translation follows, the first in English and based on the definitive edition. The Chanson is revealed as a lively narrative, with tales of chivalry, villainy, and even episodes of humour. There are extensive footnotes to the translation, and an appendix provides supplementary material from a different manuscript tradition. There is also a cast list of heroes and villains with biographical information for the 'real' ones and literary analogues for the fictional characters. The Chanson d'Antioche can now be read for enjoyment, and for a whole new perspective on crusading in the twelfth and thirteenth centuries.


The Chanson d'Antioche

The Chanson d'Antioche
Author: Carol Sweetenham
Publisher: Routledge
Total Pages: 441
Release: 2016-03-23
Genre: History
ISBN: 1317038770

The Old-French Chanson d'Antioche has long intrigued historians and literary scholars. Unusually among epic poems, it follows closely a well documented historical event - the First Crusade - and appears to include substantial and genuine historical content. At one time it was believed to be based on an account by an eye-witness, 'Richard the Pilgrim'. Carol Sweetenham and Susan Edgington have combined forces to investigate such claims, and their findings are set out in a comprehensive introduction which, firstly, examines the textual history of the poem from its possible oral beginnings through several re-workings to its present form, achieved early in the thirteenth century. A second chapter assesses the Chanson's value as a source for the crusade, and a third considers its status as a literary text. A complete prose translation follows, the first in English and based on the definitive edition. The Chanson is revealed as a lively narrative, with tales of chivalry, villainy, and even episodes of humour. There are extensive footnotes to the translation, and an appendix provides supplementary material from a different manuscript tradition. There is also a cast list of heroes and villains with biographical information for the 'real' ones and literary analogues for the fictional characters. The Chanson d'Antioche can now be read for enjoyment, and for a whole new perspective on crusading in the twelfth and thirteenth centuries.


The Banality of Evil

The Banality of Evil
Author: Bernard J. Bergen
Publisher: Rowman & Littlefield Publishers
Total Pages: 192
Release: 2000-01-01
Genre: Philosophy
ISBN: 0585116962

This highly original book is the first to explore the political and philosophical consequences of Hannah Arendt's concept of 'the banality of evil,' a term she used to describe Adolph Eichmann, architect of the Nazi 'final solution.' According to Bernard J. Bergen, the questions that preoccupied Arendt were the meaning and significance of the Nazi genocide to our modern times. As Bergen describes Arendt's struggle to understand 'the banality of evil,' he shows how Arendt redefined the meaning of our most treasured political concepts and principles_freedom, society, identity, truth, equality, and reason_in light of the horrific events of the Holocaust. Arendt concluded that the banality of evil results from the failure of human beings to fully experience our common human characteristics_thought, will, and judgment_and that the exercise and expression of these attributes is the only chance we have to prevent a recurrence of the kind of terrible evil perpetrated by the Nazis.


Gender, Nation and Conquest in the Works of William of Malmesbury

Gender, Nation and Conquest in the Works of William of Malmesbury
Author: Kirsten A. Fenton
Publisher: Boydell & Brewer Ltd
Total Pages: 177
Release: 2008
Genre: History
ISBN: 1843834006

William of Malmesbury is one of the most important English historians of the twelfth century -- not only a critical period in English history, but also one that has been recognised as significant in terms of the writing of history and the construction of a national past. This innovative study provides a gendered reading of Malmesbury's works with special reference to the themes of conquest and nation. It considers Malmesbury's presentation of men and women (both lay and religious) through categories based on attributes, such as sexual behaviour and violence, rather than the more familiar `professional' or familial roles, such as warrior and wife. It is also concerned with language and how the topics of conquest and nation are discussed in gendered terms. Importantly, attention is paid to Malmesbury's own position as a post-conquest chronicler, writing at a time of church reform, and to the impact the changes had upon the construction of the stories he narrates. KIRSTEN A. FENTON holds a Leverhulme Early Career Fellowship at the University of Edinburgh.


The Post-Historical Middle Ages

The Post-Historical Middle Ages
Author: E. Scala
Publisher: Springer
Total Pages: 239
Release: 2009-05-25
Genre: Literary Criticism
ISBN: 0230621554

This collection of original essays repositions medieval literary studies after an era of historicism. Analyzing the legacy of Marxist and materialist theory on medieval literary criticism, the collection offers new ways of reading texts historically. Drawing upon aesthetic, ethical, and cultural vantage points and methods, these essays demonstrate that a variety of approaches and theories are "historical" and can change what it means to historicize medieval literature. By defining our post-historical moment in medieval English literary studies in terms of new possibilities, this collection will have broad appeal to those interested in the English Middle Ages, history, culture, and reading itself.


William of Malmesbury and the Ethics of History

William of Malmesbury and the Ethics of History
Author: Sigbjørn Olsen Sønnesyn
Publisher: Boydell Press
Total Pages: 304
Release: 2012
Genre: History
ISBN: 1843837099

"William of Malmesbury, arguably the greatest English historian of the twelfth century, repeatedly emphasises that the primary purpose of all literary and intellectual activities is to provide moral instruction for the reader, the most famous of his statements to this effect being found in his monumental work Gesta Regum Anglorum, where he categorises history as a sub-discipline of ethics. However, modern studies have chosen to focus on other aspects of William's oeuvre and tended to dismiss such claims as perfunctory nods to a pious commonplace. This book differs from recent orthodoxy by being based on the proposition that medieval professions of the moral aims of historiography are in fact genuine. It seeks to read William's celebrated historical works in the light of his devotional and didactic texts, and in the context of the religious, intellectual and literary traditions to which he expressed his allegiance. He also demonstrates how William's conception of ethics forms a constitutive element of his historical output. The resulting image of William shows a committed monk and man of his time, placing his extraordinary learning at the service of his culture, his society and his faith."--Publisher's website.