The Collected Poems of Audre Lorde

The Collected Poems of Audre Lorde
Author: Audre Lorde
Publisher: W. W. Norton & Company
Total Pages: 500
Release: 2000-02-17
Genre: Poetry
ISBN: 0393254402

A complete collection—over 300 poems—from one of this country's most influential poets. "These are poems which blaze and pulse on the page."—Adrienne Rich "The first declaration of a black, lesbian feminist identity took place in these poems, and set the terms—beautifully, forcefully—for contemporary multicultural and pluralist debate."—Publishers Weekly "This is an amazing collection of poetry by . . . one of our best contemporary poets. . . . Her poems are powerful, often political, always lyrical and profoundly moving."—Chuckanut Reader Magazine "What a deep pleasure to encounter Audre Lorde's most potent genius . . . you will welcome the sheer accessibility and the force and beauty of this volume."—Out Magazine


The Selected Works of Audre Lorde

The Selected Works of Audre Lorde
Author: Audre Lorde
Publisher: W. W. Norton & Company
Total Pages: 319
Release: 2020-09-08
Genre: Poetry
ISBN: 1324004622

A definitive selection of Audre Lorde’s "intelligent, fierce, powerful, sensual, provocative, indelible" (Roxane Gay) prose and poetry, for a new generation of readers. Self-described "black, lesbian, mother, warrior, poet" Audre Lorde is an unforgettable voice in twentieth-century literature, and one of the first to center the experiences of black, queer women. This essential reader showcases her indelible contributions to intersectional feminism, queer theory, and critical race studies in twelve landmark essays and more than sixty poems—selected and introduced by one of our most powerful contemporary voices on race and gender, Roxane Gay. Among the essays included here are: "The Transformation of Silence into Language and Action" "The Master’s Tools Will Never Dismantle the Master’s House" "I Am Your Sister" Excerpts from the American Book Award–winning A Burst of Light The poems are drawn from Lorde’s nine volumes, including The Black Unicorn and National Book Award finalist From a Land Where Other People Live. Among them are: "Martha" "A Litany for Survival" "Sister Outsider" "Making Love to Concrete"


The First Cities

The First Cities
Author: Audre Lorde
Publisher:
Total Pages: 40
Release: 1968
Genre: African American women
ISBN:


Our Dead Behind Us

Our Dead Behind Us
Author: Audre Lorde
Publisher: W. W. Norton
Total Pages: 75
Release: 1994
Genre: Poetry
ISBN: 9780393312386

A collection of poetry by the African-American activist and artist describes her personal identities as a lesbian, mother, black woman, and cancer survivor, and notes the tension created by the often conflicting drives of these identities. Reissue.


Directed by Desire

Directed by Desire
Author: June Jordan
Publisher: Copper Canyon Press
Total Pages: 690
Release: 2012-12-28
Genre: Poetry
ISBN: 1619320800

Affordable e-book of volume honored as one of Library Journal's "Poetry Books of the Year."


Warrior Poet

Warrior Poet
Author: Alexis De Veaux
Publisher: W. W. Norton & Company
Total Pages: 478
Release: 2004
Genre: Biography & Autobiography
ISBN: 9780393019544

The long-awaited first biography of the author of "The Cancer Journals," an American icon of womanhood, poetry, African American arts, and survival.


The Black Unicorn

The Black Unicorn
Author: Audre Lorde
Publisher: Penguin UK
Total Pages: 133
Release: 2019-07-04
Genre: Poetry
ISBN: 0241396875

I have been woman for a long time beware my smile I am treacherous with old magic Filled with rage and tenderness, Audre Lorde's most acclaimed poetry collection speaks of mothers and children, female strength and vulnerability, renewal and revenge, goddesses and warriors, ancient magic and contemporary America. These are fearless assertions of identity, told with incantatory power.


Conversations with Audre Lorde

Conversations with Audre Lorde
Author: Audre Lorde
Publisher: Univ. Press of Mississippi
Total Pages: 244
Release: 2004
Genre: Biography & Autobiography
ISBN: 9781578066438

Audre Lorde (1934-1992), the author of eleven books of poetry, described herself as a "Black feminist lesbian poet warrior mother," but she added that this phrase was inadequate in capturing her full identity. The interviews in this collection portray the many additional sides of the Harlem-born author and activist. She was also a rebellious child of Caribbean parents, a mastectomy patient, a blue-collar worker, a college professor, a student of African mythology, an experimental autobiographer in her book titled Zami, a critic of imperialism, and a charismatic orator. Despite her intense engagement with the major social movements of her time, Lorde told interviewers that she was always an outsider, a position of weakness and of strength. Most of her schoolmates were white. She married a white legal-aid attorney, and after their divorce she was the partner of a white psychologist for many years. These intimate alliances with whites caused some African Americans of both genders to question the depth of her solidarity. Lorde expressed distrust of some white feminists and charged that they lacked real understanding of African American struggles. Writing proved to be her powerful weapon against injustice. Painfully aware that differences could provoke prejudice and violence, she promoted the bridging of barriers. These interviews reveal the sense of displacement that made Lorde a champion of the outcast and the forgotten--whether in New York, Mississippi, Berlin, or Soweto.


The Collected Poems

The Collected Poems
Author: Sylvia Plath
Publisher: HarperCollins
Total Pages: 388
Release: 2016-11-15
Genre: Poetry
ISBN: 0062669451

Pulitzer Prize winner Sylvia Plath’s complete poetic works, edited and introduced by Ted Hughes. By the time of her death on 11, February 1963, Sylvia Plath had written a large bulk of poetry. To my knowledge, she never scrapped any of her poetic efforts. With one or two exceptions, she brought every piece she worked on to some final form acceptable to her, rejecting at most the odd verse, or a false head or a false tail. Her attitude to her verse was artisan-like: if she couldn’t get a table out of the material, she was quite happy to get a chair, or even a toy. The end product for her was not so much a successful poem, as something that had temporarily exhausted her ingenuity. So this book contains not merely what verse she saved, but—after 1956—all she wrote. — Ted Hughes, from the Introduction