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| Author | : Karen Leeder |
| Publisher | : Cambridge University Press |
| Total Pages | : 251 |
| Release | : 2010-01-21 |
| Genre | : Literary Criticism |
| ISBN | : 0521879434 |
A collection of specially commissioned essays providing an overview of the life, works and contexts of this important modernist poet.
| Author | : Hannah Vandegrift Eldridge |
| Publisher | : Oxford University Press |
| Total Pages | : 306 |
| Release | : 2019-05-10 |
| Genre | : Philosophy |
| ISBN | : 0190685441 |
Written in three weeks of creative inspiration, Rainer Maria Rilke's Sonnets to Orpheus (1923) is well known for its enigmatic power and lyrical intensity. The essays in this volume forge a new path in illuminating the philosophical significance of this late masterpiece. Contributions illustrate the unique character and importance of the Sonnets, their philosophical import, as well as their significant connections to the Duino Elegies (completed in the same period). The volume features eight essays by philosophers, literary critics, and Rilke scholars, which approach a number of the central themes and motifs of the Sonnets as well as the significance of their formal and technical qualities. An introductory essay (co-authored by the editors) situates the book in the context of philosophical poetics, the reception of Rilke as a philosophical poet, and the place of the Sonnets in Rilke's oeuvre. Above all, this volume's premise is that an interdisciplinary approach to poetry and, more specifically, to Rilke's Sonnets, can facilitate crucial insights with the potential to expand the horizons of philosophy and criticism. Essays elucidate the relevance of the Sonnets to such wide-ranging topics as phenomenology and existentialism, hermeneutics and philosophy of language, philosophy of mythology, metaphysics, Modernist aesthetics, feminism, ecocriticism, animal ethics, and the philosophy of technology.
| Author | : Eva-Marie Kröller |
| Publisher | : Cambridge University Press |
| Total Pages | : 371 |
| Release | : 2017-06-08 |
| Genre | : Literary Criticism |
| ISBN | : 1107159628 |
A fully revised second edition of this multi-author account of Canadian literature, from Aboriginal writing to Margaret Atwood.
| Author | : Lawrence Venuti |
| Publisher | : U of Nebraska Press |
| Total Pages | : 209 |
| Release | : 2019-07-01 |
| Genre | : Philosophy |
| ISBN | : 1496215923 |
Contra Instrumentalism questions the long-accepted notion that translation reproduces or transfers an invariant contained in or caused by the source text. This "instrumental" model of translation has dominated translation theory and commentary for more than two millennia, and its influence can be seen today in elite and popular cultures, in academic institutions and in publishing, in scholarly monographs and in literary journalism, in the most rarefied theoretical discourses and in the most commonly used clichés. Contra Instrumentalism aims to end the dominance of instrumentalism by showing how it grossly oversimplifies translation practice and fosters an illusion of immediate access to source texts. Lawrence Venuti asserts that all translation is an interpretive act that necessarily entails ethical responsibilities and political commitments. Venuti argues that a hermeneutic model offers a more comprehensive and incisive understanding of translation that enables an appreciation of not only the creative and scholarly aspects of what a translator does but also the crucial role translation plays in the cultural and social institutions that shape human life.
| Author | : Samuel Frederick |
| Publisher | : Cornell University Press |
| Total Pages | : 345 |
| Release | : 2022-01-15 |
| Genre | : Literary Criticism |
| ISBN | : 1501761587 |
Collecting is usually understood as an activity that bestows permanence, unity, and meaning on otherwise scattered and ephemeral objects. In The Redemption of Things, Samuel Frederick emphasizes that to collect things, however, always entails displacing, immobilizing, and potentially disfiguring them, too. He argues that the dispersal of objects, seemingly antithetical to the collector's task, is essential to the logic of gathering and preservation. Through analyses of collecting as a dialectical process of preservation and loss, The Redemption of Things illustrates this paradox by focusing on objects that challenge notions of collectability: ephemera, detritus, and trivialities such as moss, junk, paper scraps, dust, scent, and the transitory moment. In meticulous close readings of works by Gotthelf, Stifter, Keller, Rilke, Glauser, and Frisch, and by examining an experimental film by Oskar Fischinger, Frederick reveals how the difficulties posed by these fleeting, fragile, and forsaken objects help to reconceptualize collecting as a poetic activity that makes the world of scattered things uniquely palpable and knowable.
| Author | : Lois Banner |
| Publisher | : A&C Black |
| Total Pages | : 682 |
| Release | : 2012-08-02 |
| Genre | : Business & Economics |
| ISBN | : 1408833301 |
'An excellent book ... fascinating.' Telegraph 'A revelatory and intelligent tribute' Good Housekeeping ______________________________ Lois Banner's biography is revelatory. Banner had access to material about Marilyn Munroe that no one else has seen, from a trove of personal papers to facts and anecdotes about her childhood and her death. Banner traces the eleven foster homes Marilyn went to, uncovering the sexual abuse she suffered and her bisexuality. She is also the first biographer to read Monroe's psychiatric records, revealing a woman deeply rooted in paradox. No biographer before has attempted to analyse - much less realise - most of these aspects of her personality. Lois Banner has. ______________________________ 'Banner gives us a powerful portrayal of a savvy self-publicist who worked tirelessly to ensure her trajectory from glamour model to screen goddess' Frances Wilson, Sunday Telegraph 'Book of the Week
| Author | : Elad Lapidot |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 322 |
| Release | : 2017-11-15 |
| Genre | : Philosophy |
| ISBN | : 1786604736 |
Once a prophet of critical, “other” thought, Heidegger has now for many become the epitome of the unthinkable, in the light of the Black Notebooks controversy. The unthinkable here is anti-Semitism. The encounter between Heidegger and the Jews has thus come to signify – very much in the spirit of Heidegger’s own anti-Judaism – the end of thought. The present volume resists this view by positing not only Heidegger but also the Jewish people as representing thought. The encounter between Heidegger and various traditions of Jewish thought is conceived here as a conversation inter alia, an exchange between real or perceived “others”: others to the philosophical tradition, to mainstream modernity, to Western Christian metaphysics, to each other, and even to themselves. The conversation takes shape in this volume as a symposium of seventeen essays by leading scholars both of Heidegger’s philosophy and of Jewish Studies.
| Author | : Romana Huk |
| Publisher | : University of Alabama Press |
| Total Pages | : 502 |
| Release | : 2025 |
| Genre | : Literary Criticism |
| ISBN | : 0817361715 |
Innovative poetry, philosophy, theology and new sciences converge in the project of rewriting the word "God" In Rewriting the Word "God," Romana Huk examines the substantive connections between innovative poetry of the last century and contemporary theology and philosophy. Along the way, we encounter ten poets who have, without abandoning their inherited or chosen faith traditions, radically rethought conceptualizations of divinity, human ontology, and the real. From the startlingly proto-phenomenological encounters with nature by Gerard Manley Hopkins to the post-deconstructive pursuit of "oracular" speech in Fanny Howe, these poets have found inspiration in a wide range of sources, from ancient religious texts to modern philosophical movements. But what unites them is their willingness to continually change, experiment and challenge the status quo, both in their religious beliefs and their poetic practice. Huk shows how these poets have used their work to explore ultimate questions of life and death, meaning and purpose, and the relationship between humans and materiality, humans and other humans, which for these poets sheds light on humanity's relationship with the divine. She also highlights the ways in which they have engaged with social and political issues in their poetry to speak out against injustice and oppression. Rewriting the Word "God" is a thought-provoking and inspiring work that will challenge current perceptions of both religion and poetry from new positions at the intersection of faith, art, philosophy, science, literary theory, and culture.
| Author | : Margareta Ingrid Christian |
| Publisher | : University of Chicago Press |
| Total Pages | : 249 |
| Release | : 2021-06-07 |
| Genre | : Art |
| ISBN | : 022676477X |
Introduction. Artworks and their modalities of egress -- Aer, Aurae, Venti: Warburg's aerial forms and historical milieus -- Luftraum: Riegl's vitalist mesology of form -- Saturated forms: Rilke's and Rodin's sculpture of environment -- The "Kinesphere" and the body's other spatial envelopes in Rudolf Laban's Theory of Dance -- Coda. Space as form.
