Palestinian Art

2013-06-01
Palestinian Art
Author: Gannit Ankori
Publisher: Reaktion Books
Total Pages: 258
Release: 2013-06-01
Genre: History
ISBN: 1780232411
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Turmoil and violence have defined the lives of Palestinian people over the last few decades, yet in the midst of the chaos artists live and thrive, creating little-seen work that is a powerful response to their situation. Gannit Ankori's Palestinian Art is the first in-depth English-language assessment of contemporary Palestinian art, and it offers an unprecedented and wholly original overview of this art in all its complexity. Ankori comprehensively traces the full history and development of Palestinian art, from its roots in folk art and traditional Christian and Islamic painting to the predominance of nationalistic themes and diverse media used today. Drawing on over a decade of extensive research, studio visits, and interviews, Ankori explores the vast oeuvre of prominent contemporary Palestinian artists, navigating between the personal and biographical dimensions of specific artworks and the symbolic meanings embedded within them. She provides detailed interpretations of many works and considers the complex historical, geographical, political, and cultural contexts in which the art was created. Questions of gender, exile, colonialism, postcolonialism, and hybridity are integral to Ankori's investigation as she probes the influence and thematic dominance of issues such as rootedness and displacement in Palestinian art. Palestinian Art is a fascinating introduction to a virtually unknown visual culture that has been subsumed under the torrent of current political turmoil. A groundbreaking and essential work of art scholarship, Palestinian Art illuminates new and unique facets of the Palestinian cultural identity.

Against the Wall

2011-04-01
Against the Wall
Author: William Parry
Publisher: Chicago Review Press
Total Pages: 193
Release: 2011-04-01
Genre: History
ISBN: 1569768587
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This stunning book of photographs captures the graffiti and art that have transformed Israel's wall into a living canvas of resistance and solidarity. Featuring the work of artists Banksy, Ron English, Blu, and others, as well as Palestinian artists and activists, these photographs express outrage, compassion, and touching humor. They illustrate the wall's toll on lives and livelihoods, showing the hardship it has brought to tens of thousands of people, preventing their access to work, education, and vital medical care. Mixed with the images are portraits and vignettes, offering a heartfelt and inspiring account of a people determined to uphold their dignity in the face of profound injustice.

The Origins of Palestinian Art

2013
The Origins of Palestinian Art
Author: Bashir Makhoul
Publisher: Value Art Politics Lup
Total Pages: 0
Release: 2013
Genre: Art
ISBN: 9781846319532
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The Origins of Palestinian Art provides the most comprehensive survey of contemporary Palestinian art to date. The development of contemporary practice, theory and criticism is understood as integral to the concomitant construction of Palestinian national identities. In particular the book explores the intricate relationship between art and nationalism in which the idea of origin plays an important and problematic role. The book deconstructs the existing narratives of the history of Palestinian art, which search for its origins in the 19th century, and argues that Palestinian contemporary art demonstrates pluralistic, politically and philosophically complex attitudes towards identity and nation that confound familiar narratives of origin and belonging. The book builds upon theories of art, nationalism and post-colonialism particularly in relation to the themes of fragmentation and dispersal. It takes the Arabic word for Diaspora, Shatat (literally broken apart), as a central concern in contemporary understanding of Palestinian culture and develops it, along with Edward Said's paradoxical formula of a 'coherence of dispersal' as the organising concept of the book. This aspect of contemporary Palestinian art is peculiarly suited to the conditions produced by the globalisation of art and we show how Palestinian artists, despite not having a state, have developed an international profile.

Subjective Atlas of Palestine

2007
Subjective Atlas of Palestine
Author: Annelys de Vet
Publisher: 010 Publishers
Total Pages: 82
Release: 2007
Genre: Atlases--Palestine
ISBN: 9064506485
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"The Dutch designer Annelys de Vet invited Palestinian artists, photographers and designers to map their country as they see it ... the contributions give an entirely different angle on a nation in occupied territory."--Back cover.

Both Sides of Peace

1997
Both Sides of Peace
Author: Dana Bartelt
Publisher: University of Washington Press
Total Pages: 0
Release: 1997
Genre: Arab-Israeli conflict
ISBN: 9781885449047
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Political posters created by Israeli and Palestinian artists from the mid-1970s to the present reveal and document the issues central to the Middle East conflict. This volume includes images by internationally acclaimed artists as well as those lesser known. Some were mass produced while others are original paintings and drawings. All speak in their own visual and written languages and tell a story of struggle, survival, and the hope for lasting freedom and peace. The book gives equal importance to the perspectives of the graphic designers of each of these very different cultures.

The Art of Palestinian Embroidery

1999
The Art of Palestinian Embroidery
Author: Leila El Khalidi
Publisher: Saqi Books - Saqi Books
Total Pages: 0
Release: 1999
Genre: Art
ISBN: 9780863560385
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The Palestinian folk arts have a rich and fascinating history. Silk thread and embroidery, together with an expanding repertoire of symbols, are known to have made their way from China to the Holy Land along the Silk and Spice Routes before being introduced to Europe by Christian saints, holy men and pilgrims. Mainly using cross-stitch, Palestinians have continued to embroider their traditional motifs, giving them their own appellations and developing their own terminology. As clothing was of prime importance, Palestinian women wanted something personal, distinctive and handmade. By adopting the traditional styles and motifs of her area, a woman expressed her wish to identify and be identified with her cultural roots. Samples of late-nineteenth to early-twentieth century Palestinian costumes are considered to be representative of folk art at its best. Through the vicissitudes of war and occupation, Palestinian folk materials have been dispersed, though samples are to be found in published material, in museums outside Palestine and in small private collections. Leila El Khalidi's work in identifying and recording the history and motifs in Palestinian embroidery will be of interest both to craftspeople and to students of folk traditions and is an important step in preserving the Palestinian heritage. The book is illustrated with a detailed appendix showing the principal motifs and with photographs of traditional costumes

Palestinian Art 1850-2005

2009
Palestinian Art 1850-2005
Author: Kamal Boullata
Publisher: Saqi Books
Total Pages: 372
Release: 2009
Genre: Art
ISBN:
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Published on the sixtieth year of the Palestinian "Nakba," or "Catastrophe," with a preface by John Berger.

The Politics of Art

2021-06-08
The Politics of Art
Author: Hanan Toukan
Publisher: Stanford University Press
Total Pages: 393
Release: 2021-06-08
Genre: History
ISBN: 1503627764
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Over the last three decades, a new generation of conceptual artists has come to the fore in the Arab Middle East. As wars, peace treaties, sanctions, and large-scale economic developments have reshaped the region, this cohort of cultural producers has also found themselves at the center of intergenerational debates on the role of art in society. Central to these cultural debates is a steady stream of support from North American and European funding organizations—resources that only increased with the start of the Arab uprisings in the early 2010s. The Politics of Art offers an unprecedented look into the entanglement of art and international politics in Beirut, Ramallah, and Amman to understand the aesthetics of material production within liberal economies. Hanan Toukan outlines the political and social functions of transnationally connected and internationally funded arts organizations and initiatives, and reveals how the production of art within global frameworks can contribute to hegemonic structures even as it is critiquing them—or how it can be counterhegemonic even when it first appears not to be. In so doing, Toukan proposes not only a new way of reading contemporary art practices as they situate themselves globally, but also a new way of reading the domestic politics of the region from the vantage point of art.