Magical Jewels of the Middle Ages and the Renaissance, Particularly in England
Author | : Joan Evans |
Publisher | : |
Total Pages | : 286 |
Release | : 1922 |
Genre | : Amulets |
ISBN | : |
Betrifft die Handschrift Cod. 200 der Burgerbibliothek Bern (S. 34).
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Author | : Joan Evans |
Publisher | : |
Total Pages | : 286 |
Release | : 1922 |
Genre | : Amulets |
ISBN | : |
Betrifft die Handschrift Cod. 200 der Burgerbibliothek Bern (S. 34).
Author | : Corinne J. Saunders |
Publisher | : Boydell & Brewer |
Total Pages | : 314 |
Release | : 2010 |
Genre | : Literary Criticism |
ISBN | : 1843842211 |
"This study looks at a wide range of medieval Englisih romance texts, including the works of Chaucer and Malory, from a broad cultural perspective, to show that while they employ magic in order to create exotic, escapist worlds, they are also grounded in a sense of possibility, and reflect a complex web of inherited and current ideas." --Book Jacket.
Author | : Carlee A. Bradbury |
Publisher | : Springer |
Total Pages | : 255 |
Release | : 2017-11-29 |
Genre | : Literary Criticism |
ISBN | : 3319650491 |
This collection examines gender and Otherness as tools to understand medieval and early modern art as products of their social environments. The essays, uniting up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts’s Justice of Otto III, Albrecht Dürer’s Feast of the Rose Garland, Rembrandt van Rijn’s Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion, honor, virtue, sexuality, and motherhood, among others.
Author | : Laura Fulkerson Hodges |
Publisher | : Boydell & Brewer Ltd |
Total Pages | : 258 |
Release | : 2014 |
Genre | : Design |
ISBN | : 1843843684 |
An analysis of the ways in which Chaucer uses details of costume, clothing and fabric, enhancing our understanding of and shedding fresh insights into his work. The use Chaucer made of costume rhetoric, and its function within his body of works, are examined here for the first time. The study explores Chaucer's knowledge of the conventional imagery of medieval literary genres, especiallymedieval romances and fabliaux, and his manipulation of rhetorical conventions through variations and omissions. In particular, it addresses Chaucer's habit of playing upon his audience's expectations, derived from their knowledge of the literary genres involved - and why he omits lengthy passages of costume rhetoric in his romances, but includes them in some of his comedic works, It also discusses the numerous minor facets of costume rhetoric employed in decorating his texts. Chaucer and Array responds to the questions posed by medievalists concerning Chaucer's characteristic pattern of apportioning descriptive detail in his characterization by costume. It alsoexamines his depiction of clothing and textiles representing contemporary material culture while focusing attention on the literary meaning of clothing and fabrics as well as on their historic, economic and religious signification. Laura F. Hodges blends her interests in medieval literature and the history of costume in her publications, specializing in the semiotics of costume and fabrics in literature. A teacher of English literature for a number of years, she holds a doctorate in literature from Rice University.
Author | : David Alban Hinton |
Publisher | : |
Total Pages | : 452 |
Release | : 2006 |
Genre | : Crafts & Hobbies |
ISBN | : 0199264546 |
In this highly illustrated book, David Hinton looks at what possessions meant to people at every level of society in Britain in the middle ages, from elaborate gold jewellery to clay pots, and provides a fascinating window into the society of the middle ages. Gold and Gilt, Pots and Pins is about things worn and used in Britain throughout the Middle Ages, from the great treasure hoards that mark the end of the Roman Empire to the new expressions of ideas promoted by the Renaissance and Reformation.
Author | : Claude Lecouteux |
Publisher | : Simon and Schuster |
Total Pages | : 195 |
Release | : 2014-05-14 |
Genre | : Body, Mind & Spirit |
ISBN | : 1620552809 |
A comprehensive study of the use of talismans and amulets in the Western Mystery Tradition • Provides an in-depth look at the medieval and Renaissance use of amulets and talismans, including the work of Agrippa, Albertus Magnus, and Athanasius Kircher • Provides a full summary of the magical knowledge required to make an amulet or talisman, including the invocations required to activate their powers • Reviews different kinds of amulets and talismans, from ancient jewelry and magical objects to the modern rabbit’s foot or lucky horseshoe The use of talismans and amulets stretches back nearly to the dawn of man, from everyday items magically prepared, such as horns or coins, to intricate and beautiful jewelry imbued with protective powers. Drawing on his private collection of medieval manuscripts as well as his privileged access to the rare book archives of major European universities, Claude Lecouteux provides a comprehensive history of the use of talismans and amulets for protection, healing, and divine influence. He explores their use in the Western Mystery Tradition as well as Eastern and Middle Eastern beliefs about these magical objects and their incorporation--despite Church anathema--into the Christian tradition of Medieval Europe. Reviewing many different kinds of amulets and talismans used throughout the ages, such as a rabbit’s foot, horseshoe, gris-gris bag, or an inscribed parchment charged through ritual, he details the principles and symbology behind each object and shows that their use is still as widespread today as any time in the past. Lecouteux explains the high magic behind the hermetic art of crafting amulets and talismans: the chains of sympathy, astrological geography, and the invocations required to activate their powers. He explores the work of adepts such as Agrippa, Albertus Magnus, and Athanasius Kircher, including an in-depth look at Kircher’s work on planetary seals in his Oedipus Aegyptiacus. Illustrated throughout with period art depicting magical symbols, seals, and a wide array of talismans and amulets, this comprehensive study provides a practical guide to the historical development and step-by-step creation of magical objects.
Author | : |
Publisher | : |
Total Pages | : 46 |
Release | : 1922 |
Genre | : Books |
ISBN | : |
Author | : Elisabeth M. Dutton |
Publisher | : Boydell & Brewer |
Total Pages | : 372 |
Release | : 2010 |
Genre | : Literary Collections |
ISBN | : 1843842505 |
These essays demonstrate John Gower's mastery of the three languages of medieval England - Latin, French and English. They examine the cultural re-definitions which his translations of literary traditions and languages achieved.
Author | : Thomas F. Glick |
Publisher | : Routledge |
Total Pages | : 625 |
Release | : 2014-01-27 |
Genre | : History |
ISBN | : 1135459320 |
Medieval Science, Technology, and Medicine details the whole scope of scientific knowledge in the medieval period in more than 300 A to Z entries. This resource discusses the research, application of knowledge, cultural and technology exchanges, experimentation, and achievements in the many disciplines related to science and technology. Coverage includes inventions, discoveries, concepts, places and fields of study, regions, and significant contributors to various fields of science. There are also entries on South-Central and East Asian science. This reference work provides an examination of medieval scientific tradition as well as an appreciation for the relationship between medieval science and the traditions it supplanted and those that replaced it. For a full list of entries, contributors, and more, visit the Routledge Encyclopedias of the Middle Ages website.