Impressionism Reflections and Perceptions

Impressionism Reflections and Perceptions
Author: Meyer Schapiro
Publisher: George Braziller Publishers
Total Pages: 366
Release: 1997
Genre: Antiques & Collectibles
ISBN:

Presents a revision of the late Columbia University art historian's lectures given at Indiana University in 1961.


Impressionism

Impressionism
Author: John I. Clancy
Publisher: Nova Publishers
Total Pages: 242
Release: 2003
Genre: Art
ISBN: 9781590335451

Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wide array of styles. Nonetheless, it remains a very important school in the annals of art. Any current or budding art aficionado should become familiar with the impressionist movement and its impact on the art world. This book presents a sweeping study of this artistic period, from its origins to its manifestations in the works of some of art history's most revered painters. Following this overview is a substantial and selective bibliography, featuring access through author, title, and subject indexes.


Selected Papers 05 Worldview in Painting Art and Society

Selected Papers 05 Worldview in Painting Art and Society
Author: Meyer Schapiro
Publisher: George Braziller Publishers
Total Pages: 266
Release: 1999
Genre: Antiques & Collectibles
ISBN:

How can we profitably compare art and philosophy? In the first part of this collection of twenty-one writings, many previously unpublished, Schapiro uses specific works of art to elucidate the rich variety of ways in which artists and art movements have been compared with philosophical systems. His highly lucid arguments, graceful prose, and extraordinary erudition offer new opportunities to broaden and enrich our understanding of even the most familiar works of art. In the second part of the collection, Schapiro explores aspects of our everyday experiences with art: the value of modern art, social realism, revolutionary art, art as a cause of violence, the art market, the public support of artists, public art commissions, church art, and others. Here, in essays that range in a period of more than forty years, we witness Schapiro's unfailing dedication both to the liberty of the artist and to the integration of the arts in society. Throughout all of his writings, Schapiro provides us with a means of ordering our past that is reasoned and passionate, methodical and inventive. In so doing, he revitalizes our faith in the unsurpassed importance of critical thinking and creative independence.


Rimbaud's Impressionist Poetics

Rimbaud's Impressionist Poetics
Author: Aimée Israel-Pelletier
Publisher: University of Wales Press
Total Pages: 204
Release: 2012-10-15
Genre: Literary Criticism
ISBN: 1783163135

In the mid-nineteenth century, Arthur Rimbaud, the volatile genius of French poetry, invented a language that captured the energy and visual complexity of the modern world. This book explores some of the technical aspects of this language in relation to the new techniques brought forth by the Impressionist painters such as Monet, Morisot, and Pissarro.


Modernism the Lure of Heresy

Modernism the Lure of Heresy
Author: Peter Gay
Publisher: W. W. Norton & Company
Total Pages: 664
Release: 2008
Genre: Architecture
ISBN: 9780393052053

This is a brilliant, provocative long essay on the rise and fall and survival of modernism, by the English-languages' greatest living cultural historian.


Monet

Monet
Author: Jackie Wullschläger
Publisher: Knopf
Total Pages: 609
Release: 2024-09-24
Genre: Biography & Autobiography
ISBN: 1101875380

A groundbreaking look at the life and art of one of the most influential, modern painters of the late nineteenth century and founder of the Impressionist movement “Wullschläger emerges with a strikingly different picture of the artist. Passionate, prickly, edgy and unstable, her Monet, the unrecognizable Monet, is a powerful new character in art.” —The Sunday Times (London) Drawing on thousands of never-before-translated letters and unpublished sources, this biography reveals dramatic new information about the life and work of one of the late nineteenth century’s most important painters. Despite being mocked at the beginning of his career, and living hand to mouth, Monet risked all to pursue his vision, and his early work along the banks of the Seine in the 1860s and ’70s would come to be revered as Impressionism. In the following decades, he emerged as its celebrated leader in one of the most exciting cultural moments in Paris, before withdrawing to his house and garden to paint the late Water Lilies, which were ignored during his lifetime and would later have a major influence on all twentieth-century painters both figurative and abstract. This is the first time we see the turbulent life of this volatile and voracious man, who was as obsessed by his love affairs as he was by nature. He changed his art decisively three times when the woman at the center of his life changed; Wullschläger brings these unknown, passionate, and passionately committed women to the foreground. Monet's closest friend was Prime Minister Georges Clemenceau; strong intellectual currents connected him to writers from Zola to Proust, as well as to his friends Manet, Renoir, and Pissarro. Brilliant and absorbing, this biography will forever change our understanding of Monet's life and work.


Color in the Age of Impressionism

Color in the Age of Impressionism
Author: Laura Anne Kalba
Publisher: Penn State Press
Total Pages: 288
Release: 2017-04-21
Genre: Art
ISBN: 0271079800

This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.


In Vivo

In Vivo
Author: Gabor Csepregi
Publisher: McGill-Queen's Press - MQUP
Total Pages: 217
Release: 2019-04-30
Genre: Philosophy
ISBN: 0773557733

The course of human life, punctuated by unexpected and transformative moments, is never uniform. What are the characteristics of such life-defining moments, what responses do they evoke, and how do they transform the lives of those who experience them? In Vivo explores foundational questions and pivotal moments of the human experience – engagement with a foreign culture, the decision to break free from unfortunate experiences, a generous action undertaken in the context of an otherwise regular day – in terms of their life-altering potential. Through illustrative examples, both real and fictional, Csepregi reveals the primacy of personal feelings in shaping human life and demonstrates the formative power of spontaneity outside the traditional context of formal education. These moments, and particularly the way they disrupt ordinary temporal order, Csepregi argues, are the lived experiences of our vitality. In an age marked by increasing anxiety about the homogenizing tendencies of contemporary life, In Vivo is timely and revelatory. Informed by a range of philosophical thinking and examples from art, music, and literature, it illustrates opportunities for meaningful reflection that are available to everyone, and urges the reader to engage with them.