Harold Edgerton: Seeing the Unseen

2019-02
Harold Edgerton: Seeing the Unseen
Author: Harold Edgerton
Publisher:
Total Pages: 205
Release: 2019-02
Genre: Photography
ISBN: 9783958293083
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Edgerton invented the electronic flash, capturing what the human eye cannot see Harold Edgerton (1903-90) was an engineer, educator, explorer and entrepreneur, as well as a revolutionary photographer--in the words of his former student and Life photographer Gjon Mili, "an American original." Edgerton's photos combine exceptional engineering talent with aesthetic sensibility, and this book presents more than 100 of his most exemplary works. Seeing the Unseen contains iconic photos from the beloved milk drops and bullets slicing through fruit and cards, to less well known but equally compelling images of sea creatures and sports figures in action. Paired with excerpts from Edgerton's laboratory notebooks, the book reveals the full range of his technical virtuosity and his enthusiasm for the natural and human-built worlds. Essays by Edgerton students and collaborators J. Kim Vandiver and Gus Kayafas explore his approach to photography, engineering and education, while MIT Museum curators Gary Van Zante and Deborah Douglas examine his significance to the history of photography, technology and modern culture.

Stopping Time

1987
Stopping Time
Author: Estelle Jussim
Publisher: ABRAMS
Total Pages: 168
Release: 1987
Genre: Photography
ISBN:
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Inventor of the strobe flash and a pioneer of stop-action photography, Edgerton literally stops time in these remarkable photographs. A splashing milk drop, arrested with high-speed film and strobe, looks exactly like a king's crown. A golfer, shot at 100 flashes per second, swings his driver into an Archimedian spiral. Pictures of fencers, tennis players, rope-skippers and ping-pong enthusiasts, all caught in action sequences, call to mind futurist paintings with their frantic sequences of motion. Edgerton's inventions for underwater photography have yielded such marvels as his photo of the top of a lava mountain thousands of feet below the ocean's surface. His picture of Stonehenge, taken from a night-flying plane, brings the eerie stone slabs to life. An MIT scientist, Edgerton is a genuine artist who probes the laws of motion in a hitherto invisible world. Copyright 1987 Reed Business Information, Inc.

Seeing the Unseen

1994
Seeing the Unseen
Author: Douglas Collins
Publisher: HP Books
Total Pages: 89
Release: 1994
Genre: Electronic flash photography
ISBN: 9780935398212
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Disc includes: selected text and photos from the exhibition.

The Educated Eye

2012
The Educated Eye
Author: Nancy A. Anderson
Publisher: UPNE
Total Pages: 502
Release: 2012
Genre: Science
ISBN: 1611682126
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The creation and processing of visual representations in the life sciences is a critical but often overlooked aspect of scientific pedagogy. The Educated Eye follows the nineteenth-century embrace of the visible in new spectatoria, or demonstration halls, through the twentieth-century cinematic explorations of microscopic realms and simulations of surgery in virtual reality. With essays on Doc Edgerton's stroboscopic techniques that froze time and Eames's visualization of scale in Powers of Ten, among others, contributors ask how we are taught to see the unseen.

Moments of Vision

1979-07-01
Moments of Vision
Author: Harold E. Edgerton
Publisher:
Total Pages: 177
Release: 1979-07-01
Genre:
ISBN: 9780262050234
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Moments of Vision recounts Harold Edgerton's remarkable achievements in stroboscopy and electronic flash photography. It contains nearly two hundred photographs, including twelve pages in color, of many of the pioneer and classic images first published by Edgerton and Killian in Flash (1938) as well as numerous recent works by Edgerton and others using his stroboscopic inventions. Here are the famous milk drops, athletes and dancers in motion, bullets in transit, and hummingbird in flight-all made possible by the MIT scientist-engineer who pioneered the methods now widely used in stop-motion, night, and underwater photography.

Historical Scientific Instruments in Contemporary Education

2021-11-15
Historical Scientific Instruments in Contemporary Education
Author:
Publisher: BRILL
Total Pages: 324
Release: 2021-11-15
Genre: Science
ISBN: 9004499679
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When science’s “black boxes” are pried open, its workings become accessible. Like time-travellers into history but grounded in today’s cultures, learners interact directly with authentic instruments and replicas. Chapters describe educational experiences sparked through collaborations interrelating museum, school and university.

American Photography

1999
American Photography
Author: Vicki Goldberg
Publisher: Chronicle Books
Total Pages: 246
Release: 1999
Genre: Photography
ISBN: 0811826228
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This beautiful and informative photographic history includes images from 1900 to 1999. Many are often seen (bullet piercing the apple, splashing crown of milk, Sophia Loren looking askance at Jayne Mansfield's plunging decollete, and Dorothea Lange's Migrant Mother); but most are probably unknown, because the photos were selected not only for their visual and cognitive qualities but also for their importance to the history and development of photographic technique and usage. The century is divided into thirds for explanation's sake, and there is at least one photograph for every year. While this is a picture book, the accompanying text provides informative introductions to the uses and abuses of perhaps the century's most important medium. The book is companion to the PBS series. Oversize: 12.5x9.5". Annotation copyrighted by Book News Inc., Portland, OR

Each Wild Idea

2002-02-22
Each Wild Idea
Author: Geoffrey Batchen
Publisher: MIT Press
Total Pages: 254
Release: 2002-02-22
Genre: Photography
ISBN: 9780262523240
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Essays on photography and the medium's history and evolving identity. In Each Wild Idea, Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs—from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at—rather than beyond—the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.