Greek Influence on English Poetry
Author | : John Churton Collins |
Publisher | : |
Total Pages | : 148 |
Release | : 1910 |
Genre | : Comparative literature |
ISBN | : |
PDF eBook Read Online Library
Author | : John Churton Collins |
Publisher | : |
Total Pages | : 148 |
Release | : 1910 |
Genre | : Comparative literature |
ISBN | : |
Author | : Alejandro Cantarero de Salazar |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 411 |
Release | : 2020-10-06 |
Genre | : Literary Criticism |
ISBN | : 1527560465 |
This book deals with Greek lyric composed more than twenty-five centuries ago. These poems sing of everyday events and emotions in human life, from the most festive to the most serious, presenting a living portrait of the ancient Greeks. This multidisciplinary volume begins with a panorama of Greek lyric poetic genres, their main authors and their representative topics. The first part contains philological studies and literary analyses, first of some Greek poets—Anacreon, Sappho and Lycophron, among others—then of their influence on Horace’s Latin poetry, and on contemporary poetry. The second part, illustrated with colour images, studies Greek lyric from socio-political and iconographic perspectives, analysing its coincidences and reflections in images from Greek pottery, sculptures and reliefs. In addition, this section includes two works on musical theory and composition related to ancient Greek lyric. The volume closes with two studies of the image of Sappho in cinema.
Author | : John Churton Collins |
Publisher | : |
Total Pages | : 172 |
Release | : 1910 |
Genre | : Comparative literature |
ISBN | : |
Author | : J.A.K. Thomson |
Publisher | : Taylor & Francis |
Total Pages | : 197 |
Release | : 2023-12-30 |
Genre | : Literary Collections |
ISBN | : 1003804993 |
First published in 1951 this book presents a comprehensive account of the classical influences on English poetry with illustrative examples. This is a sequel to Thomson’s book on Classical Background of English Literature. The author brings important themes like Homer and epic tradition in antiquity; Milton and epic tradition in modern times; didactic poetry; lyric poetry; elegiac poetry; satire and comedy; and the epigram. This is an interesting read for students of English literature and general readers interested in English poetry.
Author | : John Churton Collins |
Publisher | : |
Total Pages | : 127 |
Release | : 1910 |
Genre | : English poetry |
ISBN | : |
Author | : David Konstan |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 382 |
Release | : 2014-10-17 |
Genre | : Literary Criticism |
ISBN | : 1443869856 |
PIERIDES III, Editors: Myrto Garani and David Konstan Despite the Romans' reputation for being disdainful of abstract speculation, Latin poetry from its very beginning was deeply permeated by Greek philosophy. Philosophical elements and commonplaces have been identified and appreciated in a wide range of writers, but the extent of the Greek philosophical influence, and in particular the impact of Pythagorean, Empedoclean, Epicurean and Stoic doctrines, on Latin verse has never been fully in...
Author | : John Churton Collins |
Publisher | : Theclassics.Us |
Total Pages | : 34 |
Release | : 2013-09 |
Genre | : |
ISBN | : 9781230262994 |
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1910 edition. Excerpt: ... lecture ii Introduction Of Greek Into England The year 322 B.C., the year in which Aristotle and Demosthenes died, may be said to mark the time at which the great original work of Greece had been done. Much valuable and memorable work had still to be produced--the best poetry of the Alexandrian School, the history of Polybius, the biographies of Plutarch, the dialogues of Lucian, the treatise attributed to Longinus, and this would bring us to the middle of the third century A.d.--but all the great original work had been completed by B.C. 322. The Old Literature may be said to have terminated when Justinian closed the schools of pagan philosophy in A.D. 529. Between that event and the capture of Constantinople by the Turks in 1453 stretched a long dreary period filled by ecclesiastical homilies and dissertations, compilations and commentaries and criticisms on the Old Classics, and wretched poems written in what were called mxot iroXvriKot or verses framed according to rhythm and not quantity, and side by side with these, histories and poems modelled on the style of the Old Classics: a literature represented in a word by the later Byzantine historians and poets. You may read about them in the Dissertation in Berington's ' Literary History of the Middle Ages, ' in Donaldson's continuation of Muller's 'History of Greek Literature, ' and in the pages of Gibbon. After 1453 the language, long wretchedly corrupted, passed entirely into Romaic, and the Romaic Literature has of course gone on in unbroken continuity to the present day. The three principal causes that disseminated Greek were: --1. The conquests of Alexander the Great and the breaking up of his empire into various principalities, the three chief kingdoms being Macedonia, Asia, Egypt.
Author | : Glyn Maxwell |
Publisher | : Harvard University Press |
Total Pages | : 116 |
Release | : 2016-11-21 |
Genre | : Literary Criticism |
ISBN | : 0674265874 |
“This is a book for anyone,” Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, “With rhyme what matters is the distance between rhymes” or “the line-break is punctuation,” he compresses into simple, memorable phrases a great deal of practical wisdom. In seven chapters whose weird, gnomic titles announce the singularity of the book—“White,” “Black,” “Form,” “Pulse,” “Chime,” “Space,” and “Time”—the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. “The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone,” Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets. “You master form you master time,” Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.
Author | : Neil Hopkinson |
Publisher | : Cambridge University Press |
Total Pages | : 240 |
Release | : 1994-09-22 |
Genre | : History |
ISBN | : 9780521423137 |
This book contains a selection of pagan Greek poetic texts ranging in date from the first to the sixth century AD. It makes easily accessible for the first time work by poets such as Quintus Smyrnaeus, Nonnus, Musaeus and Babrius hitherto neglected in Classical syllabuses. Genres represented include epic, epyllion, didactic, epigram, lyric and the verse fable. There is a brief general introduction, and in addition each section of detailed commentary is prefaced by a discussion of literary aspects of the poems and of their wider contexts. The book is intended primarily for undergraduate and graduate students of Greek, but will be of interest also to Classical scholars.