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| Author | : Malte Hagener |
| Publisher | : Springer |
| Total Pages | : 489 |
| Release | : 2016-12-16 |
| Genre | : Performing Arts |
| ISBN | : 3476036863 |
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
| Author | : Robert Sklar |
| Publisher | : |
| Total Pages | : 566 |
| Release | : 1993 |
| Genre | : Performing Arts |
| ISBN | : |
"Technological advances and regulatory changes have created both investment opportunity and challenge for participants in today's international capital markets. The existence and use of diverse international accounting procedures poses one such challenge: How can analysts determine the true investment value of global firms?" "This issue and related concerns are thoroughly examined in International Capital Markets in a World of Accounting Differences. Inside this thought-provoking volume, financial practitioners and scholars debate the impact of international accounting differences (accounting measurement rules, financial disclosure requirements, and/or differences in auditing standards) on decision-making in today's capital markets." "You'll find insightful analyses of such topics as international GAAP differences and their effects on firms; accounting differences and securities markets regulations; international regulatory initiatives; and policy alternatives and strategic options for minimizing global accounting diversity." "Concerns about the effect of accounting diversity on capital markets have sparked a renewed interest in harmonizing accounting and reporting standards worldwide. International Capital Markets in a World of Accounting Differences challenges and analyzes the validity of these concerns and offers strategic alternatives for making more informed decisions in the world's capital markets."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
| Author | : Jim Cheng |
| Publisher | : Columbia University Press |
| Total Pages | : 586 |
| Release | : 2016-04-19 |
| Genre | : Performing Arts |
| ISBN | : 0231540337 |
Compiled by two skilled librarians and a Taiwanese film and culture specialist, this volume is the first multilingual and most comprehensive bibliography of Taiwanese film scholarship, designed to satisfy the broad interests of the modern researcher. The second book in a remarkable three-volume research project, An Annotated Bibliography for Taiwan Film Studies catalogues the published and unpublished monographs, theses, manuscripts, and conference proceedings of Taiwanese film scholars from the 1950s to 2013. Paired with An Annotated Bibliography for Chinese Film Studies (2004), which accounts for texts dating back to the 1920s, this series brings together like no other reference the disparate voices of Chinese film scholarship, charting its unique intellectual arc. Organized intuitively, the volume begins with reference materials (bibliographies, cinematographies, directories, indexes, dictionaries, and handbooks) and then moves through film history (the colonial period, Taiwan dialect film, new Taiwan cinema, the 2/28 incident); film genres (animated, anticommunist, documentary, ethnographic, martial arts, teen); film reviews; film theory and technique; interdisciplinary studies (Taiwan and mainland China, Taiwan and Japan, film and aboriginal peoples, film and literature, film and nationality); biographical materials; film stories, screenplays, and scripts; film technology; and miscellaneous aspects of Taiwanese film scholarship (artifacts, acts of censorship, copyright law, distribution channels, film festivals, and industry practice). Works written in multiple languages include transliteration/romanized and original script entries, which follow universal AACR-2 and American cataloguing standards, and professional notations by the editors to aid in the use of sources.
| Author | : Breixo Viejo |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Motion pictures |
| ISBN | : 9781584563433 |
Film Books: A Visual History covers cinema literature from 1895 until the present day. It comprises a 20-page introduction, 140 brief essays on major film books of the 20th-century, and 360 bibliographical descriptions. The introduction presents a detailed historical analysis of cinema literature, emphasizing the importance of film books in the history of motion pictures. Individual entries examine the relevance of a particular film book, both in content and design, and include one or more illustrations of dust jackets, book covers, page layouts, photographs and film stills. This work is the first truly comprehensive study of film books. -- Amazon.com.
| Author | : Lucy Fischer |
| Publisher | : Modern Language Association |
| Total Pages | : 437 |
| Release | : 2012-07-27 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1603291334 |
Film studies has been a part of higher education curricula in the United States almost since the development of the medium. Although the study of film is dispersed across a range of academic departments, programs, and scholarly organizations, film studies has come to be recognized as a field in its own right. In an era when teaching and scholarship are increasingly interdisciplinary, film studies continues to expand and thrive, attracting new scholars and fresh ideas, direction, and research. Given the dynamism of the field, experienced and beginning instructors alike need resources for bringing the study of film into the classroom. This volume will help instructors conceptualize contemporary film studies in pedagogical terms. The first part of the volume features essays on theory and on representation, including gender, race, and sexuality. Contributors then examine the geographies of cinema and offer practical suggestions for structuring courses on national, regional, and transnational film. Several essays focus on interdisciplinary approaches, while others describe courses designed around genre (film noir, the musical), mode (animation, documentary, avant-garde film), or the formal elements of film, such as sound, music, and mise-en-scène. The volume closes with a section on film and media in the digital age, in which contributors discuss the opportunities and challenges presented by access to resources, media convergence, and technological developments in the field.
| Author | : Mark Emmons |
| Publisher | : Libraries Unlimited |
| Total Pages | : 0 |
| Release | : 2006-03-30 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1563089149 |
This is a guide to reference works in movies and television. Beginning with general guides, dictionaries and encyclopedias, the book then turns to filmographies, filmmakers, and filmmaking. It is for librarians, faculty, and novice filmmakers.
| Author | : James Monaco |
| Publisher | : New York : Oxford University Press |
| Total Pages | : 568 |
| Release | : 1981 |
| Genre | : Performing Arts |
| ISBN | : |
Now thoroughly revised and updated, the book discusses recent breakthroughs in media technology, including such exciting advances as video discs and cassettes, two-way television, satellites, cable and much more.
| Author | : Jim Cheng |
| Publisher | : Hong Kong University Press |
| Total Pages | : 424 |
| Release | : 2004-10-01 |
| Genre | : Reference |
| ISBN | : 9789622097032 |
Covers monographs, conference proceedings, and theses that relate to film studies in and about mainland China published between 1920 and 2003. It references basic information, such as film titles, directors, and actors, as well as a variety of topics in film studies, such as film history, genres, and technology.
| Author | : Wheeler Winston Dixon |
| Publisher | : Rutgers University Press |
| Total Pages | : 525 |
| Release | : 2018-03-30 |
| Genre | : Art |
| ISBN | : 0813595169 |
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
