Digital Stereoscopy

Digital Stereoscopy
Author: Benoît Michel
Publisher: Createspace Independent Publishing Platform
Total Pages: 0
Release: 2013-03-10
Genre: 3-D films
ISBN: 9781480157095

Why buy "Digital Stereoscopy"?Digital Stereoscopy is the bible of modern 3D technologies where students, amateurs, and professional stereographers will find a clear description of all 3D facets of the stereoscopic business as well as detailed info on the 3D image production, distribution, and presentation workflow. Abstract and special featuresStereoscopic images are a century old but the recent rise of digital 3D in all aspects of audiovisual production allows for a constant high quality level, making stereoscopy pleasant and comfortable for the viewer's eyes. The range of media influenced by stereoscopy is impressive, going from motion pictures and television to print and Internet distribution. This book will let you discover the basic principles of how we perceive objects in 3D, how we can shoot 3D pictures and movies, what digital processes are required to produce quality 3D images, and how 3D movies are distributed. We will also study less known aspects of the production workflow, such as 2D to 3D conversion, storage, real-time transmission for broadcasting, and 3D Blu-ray authoring. The various methods of displaying and projecting 3D images will be covered, along with their pros and cons. The book provides a large number of technical details on all these subjects, making it a reference work for professionals in the field, with explanations of the most commonly used software, hardware, and standards.To make the book as useful as possible, an abundance of sidebars explaining the most important concepts in each chapter and a glossary of the most frequently used 3D-specific terms have been included.


STEREOSCOPY

STEREOSCOPY
Author: Denis Pellerin
Publisher:
Total Pages: 192
Release: 2021-05
Genre:
ISBN: 9781838164508


Stereoscopy

Stereoscopy
Author:
Publisher:
Total Pages: 296
Release: 2006
Genre: Stereoscope
ISBN:


Image Processing and Data Analysis with ERDAS IMAGINE®

Image Processing and Data Analysis with ERDAS IMAGINE®
Author: Stacy A.C. Nelson
Publisher: CRC Press
Total Pages: 264
Release: 2018-10-03
Genre: Technology & Engineering
ISBN: 1351980580

Remotely sensed data, in the form of digital images captured from spaceborne and airborne platforms, provide a rich analytical and observational source of information about the current status, as well as changes occurring in, on, and around the Earth’s surface. The data products, or simply images processed from these platforms, provide an additional advantage in that geographic areas or regions of interest can be revisited on a regular cycle. This revisit cycle allows geospatial analysts and natural resource managers to explore changing conditions over time. Image Processing and Data Analysis with ERDAS IMAGINE® explains the principles behind the processing of remotely sensed data in a simple, easy to understand, and "how-to" format. Organized as a step-by-step guide with exercises adapted from original research and using publicly available imagery, such as NASA Landsat, ESA Sentinel-2, Orthophotos, and others, this book gives readers the ability to quickly gain the practical experience needed to navigate the ERDAS IMAGINE® software as well as learn certain applications in Esri’s ArcMap ArcGIS for Desktop software and Quantum the GIS (QGIS) open source applications package. It also helps readers to easily move beyond the information presented in this book and tackle more advanced skills. Written by two professors with long experience in remote sensing and image processing, this book is a useful guide and reference for both undergraduate and graduate students, researchers, instructors, managers, and agency professionals who are involved in the study of Earth systems and the environment.


Marketing of Stereoscopic Cinema

Marketing of Stereoscopic Cinema
Author: Philip Jaime Alcazar
Publisher: GRIN Verlag
Total Pages: 41
Release: 2013-03-14
Genre: Business & Economics
ISBN: 3656390630

Bachelor Thesis from the year 2012 in the subject Communications - Public Relations, Advertising, Marketing, Social Media, grade: 1, Vienna University of Economics and Business (International Business), course: International Marketing Management, language: English, abstract: With the rise of Internet platforms providing both legal and illegal file sharing utilities, media companies – especially the ones focusing theatrical cinema markets – are facing new problems and difficulties to remain merchantable in opposition with their online competition. With the beginning of the new century, the number of sales, as to say the worldwide number of cinema attendances, experienced an ongoing stagnation or even a decrease. In order to cope with this challenge, international film production companies and cinema chains are challenged to develop new strategies if they mean to endeavor market changes. One possibility to attract a larger audience to the cinemas could be the usage of stereoscopic 3D technology, due to the lack of an online substitute. This phenomenon is not new. When, in the 1950s, television started to become part of the average households and cinema attendance numbers collapsed, 3D films experienced a heyday. The task of this research is to compare the former boom with today's trend and to evaluate whether the stereoscopic technology is a proper tool to enhance sales in terms of cinema attendance for international media companies.


3D TV and 3D Cinema

3D TV and 3D Cinema
Author: Bernard Mendiburu
Publisher: Taylor & Francis
Total Pages: 254
Release: 2012-11-12
Genre: Performing Arts
ISBN: 1136040579

This book helps you master the technical requirements of shooting 3D stereoscopic images. This title defines the concept of a professional 3D camera system and describes what features are required to make a successful unit to keep your production on schedule and on budget.


3D Filmmaking

3D Filmmaking
Author: Celine Tricart
Publisher: CRC Press
Total Pages: 241
Release: 2016-07-15
Genre: Art
ISBN: 1317536584

A visual book for the visual artist, 3D Filmmaking: Techniques and Best Practices for Stereoscopic Filmmakers provides a comprehensive overview of the theory, language, and methods behind stereoscopic 3D filmmaking, all in one package. Celebrated 3D filmmaker Celine Tricart explores every facet of the art, from the technical to the practical, including: 3D vision History of 3D cinema Stereoscopic basics and techniques How to shoot in 3D 3D VFXs, animation in 3D, and 2D to 3D conversion Live broadcast in 3D 3D viewing and projection 3D as a storytelling tool Screenwriting for 3D Working with a stereographer 3D storyboarding and previz 3D postproduction Sound design in-depth A must-read for any 3D filmmaker, producer, writer, or technician interested in the third dimension, 3D Filmmaking covers the history of the form, defines key 3D terms and places them into context, and offers lessons on using the medium as a visual storytelling tool, creating a perfect blend of concepts, practice, and history. Full color throughout, the book also includes a pair of 3D glasses for you to view the 3D images within, and each chapter features detailed color diagrams and examples in anaglyph 3D, as well as interviews with 3D visionaries like Jean Pierre Jeunet (Director, Amélie, Alien 4), Chris Sanders (Director, How to Train Your Dragon, The Croods), Demetri Portelli (Stereographer, Hugo), Phil McNally (Stereoscopic Supervisor, How to Train Your Dragon, Madagascar 4), Tim Webber (VFX supervisor, Gravity), Scott Farrar (VFX supervisor, the Transformers franchise), and Victoria Alonso (Stereoscopic Supervisor, Marvel Studios). A companion website (www.routledge.com/cw/tricart) features links to useful resources and footage from 3D films.


High Dynamic Range Video

High Dynamic Range Video
Author: Frédéric Dufaux
Publisher: Academic Press
Total Pages: 631
Release: 2016-04-27
Genre: Computers
ISBN: 0128030399

At the time of rapid technological progress and uptake of High Dynamic Range (HDR) video content in numerous sectors, this book provides an overview of the key supporting technologies, discusses the effectiveness of various techniques, reviews the initial standardization efforts and explores new research directions in all aspects involved in HDR video systems. Topics addressed include content acquisition and production, tone mapping and inverse tone mapping operators, coding, quality of experience, and display technologies. This book also explores a number of applications using HDR video technologies in the automotive industry, medical imaging, spacecraft imaging, driving simulation and watermarking. By covering general to advanced topics, along with a broad and deep analysis, this book is suitable for both the researcher new or familiar to the area. With this book the reader will: - Gain a broad understanding of all the elements in the HDR video processing chain - Learn the most recent results of ongoing research - Understand the challenges and perspectives for HDR video technologies - Covers a broad range of topics encompassing the whole processing chain in HDR video systems, from acquisition to display - Provides a comprehensive overview of this fast emerging topic - Presents upcoming applications taking advantages of HDR


Hidden in Plain Sight

Hidden in Plain Sight
Author: Colin Williamson
Publisher: Rutgers University Press
Total Pages: 320
Release: 2015-10-22
Genre: Performing Arts
ISBN: 081357255X

What does it mean to describe cinematic effects as “movie magic,” to compare filmmakers to magicians, or to say that the cinema is all a “trick”? The heyday of stage illusionism was over a century ago, so why do such performances still serve as a key reference point for understanding filmmaking, especially now that so much of the cinema rests on the use of computers? To answer these questions, Colin Williamson situates film within a long tradition of magical practices that combine art and science, involve deception and discovery, and evoke two forms of wonder—both awe at the illusion displayed and curiosity about how it was performed. He thus considers how, even as they mystify audiences, cinematic illusions also inspire them to learn more about the technologies and techniques behind moving images. Tracing the overlaps between the worlds of magic and filmmaking, Hidden in Plain Sight examines how professional illusionists and their tricks have been represented onscreen, while also considering stage magicians who have stepped behind the camera, from Georges Méliès to Ricky Jay. Williamson offers an insightful, wide-ranging investigation of how the cinema has functioned as a “device of wonder” for more than a century, while also exploring how several key filmmakers, from Orson Welles to Christopher Nolan and Martin Scorsese, employ the rhetoric of magic. Examining pre-cinematic visual culture, animation, nonfiction film, and the digital trickery of today’s CGI spectacles, Hidden in Plain Sight provides an eye-opening look at the powerful ways that magic has shaped our modes of perception and our experiences of the cinema.